Autumn’s cathedral, open to the weather, rose
high above, flawed amber, gorgeous ruin; his shadow
stretched before me, cappa magna,
my own, obedient, trailed like a nun.
He did not turn. I heard the rosaries of birds.
The trees, huge doors, swung open and I knelt.
(excerpt from Pathway by Carol Ann Duffy)
Every year this city turns into Autumn’s cathedral. The heat of summer lingers in the sun warmed air but there is a gentle change in the light. That hard yellow brightness is replaced with a stained glass glow of copper, claret, crimson and gold.
Our walks are heart stoppingly beautiful at this time of the year. We stroll down pavements and paths which have transformed into leaf strewn aisles beneath a shimmering luminous canopy of branches.
There is no altar, apse or nave in this annual cathedral but unexpected candles light up toffee bright branches and an invisible bronze thurible swings from the blue sky and fills the cool air with the bitter sweet fragrance of beginnings and endings.
© Anita Patel, 2017
Like this:
Like Loading...
Published by anitapatel
Anita Patel is a writer (and retired teacher) who has lived in Canberra since 1982. She is as Australian as a banana paddle pop and a pair of sandy thongs and she is also a part of the Asian diaspora. Her collections of poetry are: 'Petals Fall' published by Recent Work Press in 2022 (https://recentworkpress.com/product/petals-fall) and 'A Common Garment' published by Recent Work Press in 2019 (https://recentworkpress.com/product/a-common-garment/).
In 2019, she collaborated with acclaimed artist, Annie Franklin, to produce 'Heart Stitched' (a story - in paintings and poetry - of the quirky, unexpected and dazzling layers in the natural world). They received significant support from Nancy Sever (Nancy Sever Gallery). In 2022, their second book 'Grief and Beauty' (which arose from the 2019-20 bushfires) was published - once again with support from Nancy Sever.
She has had work published in the Canberra Times, in Conversations (Pandanus Press, ANU), in Block 9, Burley Journal, Cha: An Asian Literary Journal, Demos Journal, Mascara Literary Review, Not Very Quiet Journal, Cordite Poetry Review, Backstory Journal, Other Terrain Journal, Pink Cover Zine, FemAsia Magazine, Plumwood Mountain Journal, Eucalypt: a tanka journal and Print Issue 42 of The Blue Nib Journal. Her work is also included in the following anthologies: The Australian Poetry Anthology (Vol. 8), 'This Gift This Poem' (Puncher and Wattman) and 'What We Carry' (Recent Work Press). Her children’s poems are included in an anthology 'Pardon My Garden' (Harper Collins). Her poem “Women’s Talk” won the ACT Writers Centre Poetry Prize in 2004 and her poetry was selected for and published in Australian Book Review’s States of Poetry ACT, 2018.
She has performed her work at the Canberra Multicultural Festival, Poetry on the Move Festival, Noted Festival, Floriade Fringe Festival, In Other Words Festival (at Lost in Books, Fairfield), the Queensland Poetry Festival, the National Folk Festival, at Smith’s Alternative, at Word in Hand (Glebe) and La Mama Poetica.
Her reviews, “Found in Translation”, on the performances of four Japanese women poets and their translators at Poetry on the Move Festival, 2017 and “No More Silent Waiting”, on the anthology Autonomy edited by Kathy D’Arcy (2018) have been published by Not Very Quiet Journal. She was the guest editor for Issue 2 of Not Very Quiet Journal. View all posts by anitapatel
teapotsandincense 